Monthly Archives: March 2016

INVITE: Patmos Documentary Workshop

About the Workshop

The International Film Festival of Patmos IFFP and SugarHigh Films are, for the second time, organising the Patmos Documentary Workshop for emerging filmmakers.

Successful applicants will spend 2 weeks on the Greek islands, working in teams of 3 to each create a 10 minute documentary portrait that will be screened on the closing night of the festival.

The project consists of three phases:

A. Research & Development – remote / online
B. Filming at the Greek islands of Patmos, Kos, Leros, Ikaria and Agathonisi
C. Post production, seminars and Patmos int. film festival

After the summer, the participants’ footage will be reworked by Sugar High Films into a single, feature-length documentary called The Faces of Immigration [Working Title]. This modular, collaborative, feature length documentary will then be released at international festivals, will premier in Patmos 2017 and will be broadcast on international television channels, including Sundance Channel and OTE TV.

The workshop was founded in 2013, with the intention of bringing together young filmmakers in order to create a new, exciting kind of documentary production method. By partaking in the workshop, participants will leave with sharpened skills, international contacts, an industry credit for a widely distributed feature and a great experience.

Key Dates

Additional details and application instructions can be found here: http://www.iffp.gr/documentary-master-workshop/

EVENT: Seeking Solutions to End Sexual Violence Symposium

You’re Invited to Attend the Seeking Solutions to End Sexual Violence Symposium 2016
In honor of Sexual Assault Awareness Month, the Columbia School of Social Work Students Against Sexual Violence Caucus is hosting the Seeking Solutions to End Sexual Violence Symposium to gather students from across campus so that we can collaborate in order to secure a system that works with and for survivors of sexual violence. The main purpose of this year’s Symposium is to discuss the scope of the problem, take an intersectional approach to our work, and begin to seek solutions. We are pleased to have speakers from a variety of NYC organizations working everyday on this issue: the NYC Alliance Against Sexual Assault, Safe Horizon, Anti-Violence Project, Legal Aid, Bronx Legal Services, NYPD, Mount Sinai St. Luke’s and Roosevelt Hospitals, SAFER, New York Asian Women’s Center, GEMS, Day One, Sexual Health Innovations, and more!
WHEN: Saturday April 9, 2016 | 1:00 PM – 5:00 PM *
   *Networking Happy Hour to follow
WHERE: Columbia School of Social Work
REGISTRATION REQUIRED: http://tinyurl.com/endSV16
We look forward to seeing you there!

 

Jerusalem Film Summer Workshop

The Jerusalem Film Workshop is a six-week hand-on course on film making. Students learn how to operate professional cameras, edit video and work in a production team to create both fiction and documentary films. Our master classes offer a unique opportunity to network with Israel’s acclaimed producers and directors. Last year 22 young creatives from around the globe joined us from the US, UK, Croatia, China, Argentina, etc. Each student shoots two films, which are screened during the Jerusalem Film Festival! At the same time participants get VIP access to all festival’s events.

The whole workshop is in English. Students will practice in scripting, directing, editing. They will enrich their experience and portfolios, will get to know different cultures. Apart from that the program includes travelling across the country and opportunity to shoot on the scenes in such amazing locations as Jerusalem, Masada, etc.

You can find information about the program, schedule, mentors, accommodation etc on our web-page along with movies and feed-backs from previous years: www.jerusalemfilmworkshop.com

This year’s workshop will take place June 12 – July 20, 2016Registration is now open. Application deadline is April, 15.

JFW at a glance:

Who: International students with an interest in film, art, social work, politics or media.

What: 6-week film workshop guided by top Israeli film professionals 

Where: Jerusalem, Israel

When: June 12 – July 20, 2016

Why: Create two films and screen them during the Jerusalem Film Festival. 

Fee covers: accommodation, high end film equipment and video editing suites, excursions around Israel, 2 meals a day and a full accreditation pass to the Jerusalem Film Festival.

Check out the video of last year’s workshop: 

https://vimeo.com/137734567

Contactjfw.israel@gmail.com 

Apply here: www.jerusalemfilmworkshop.com

Apply now, space is limited.

OPT Paperwork – Academic Adviser or Dean Signature

To our graduating international students,

Some of you have begun working on your Optional Practical Training paperwork for after graduation.

Please note that Journalism School students do not need to have an academic adviser signature.

Ordinarily I am the person to sign certifying that you are indeed graduating.  However instead of having me sign all of the forms, they have asked me to just provide a list of all the international folks graduating.

MH


Melanie Huff
Associate Dean of Students

 

MAJOR MEMO: Instructions on Submitting Your M.S. Master’s Projects

The deadline for submitting your finished Master’s Project is Monday, March 21, at 10 a.m.

We will begin accepting completed projects as of Monday, March 7.

All projects must be submitted to Chanel Roche and Evelyn Corchado in 207A.

You will be required to sign your name on the Master’s Project submission log when you turn in your final project. Only those students who received a formal extension from your faculty adviser and the Dean of Students Office have permission to miss this deadline. 

There are multiple sections of the submission instructions. The portion marked General Instructions applies to all students. There are also sections with specific additional instructions for Hybrid/Video, Hybrid/Photo and Audio projects.

 

General Instructions:

Please submit your piece (and any other materials as specified by your type of project) in a 9 ½ by 11-inch envelope. This copy will be given to the library. Label the envelope with your name, your class year, the title of your project and the name of your Master’s Project adviser.

Please e-mail a final copy of your project to your adviser. Ask your adviser if he or she also wants a hard copy.

This final version of your project will be available in the Columbia Library, so it must conform to the specific formatting guidelines.

Formatting: Margins and Numbers: The print version must be double-spaced on one side of white paper, leaving a 1½- inch margin on the left-hand side and a 1-inch margin on all other sides. Pages must be numbered. No binding or staples, please.

Title Page: Include a separate title page with the following information: Your name, class year, the title of your project, the name of your master’s adviser, and, at the bottom of the page in the center, add:

Copyright 

(Name of Student) 

(Year)

Source List: Submit a complete source list for your project at the end of your project. If you are not certain about the best way to cite a source, consult with your adviser. Be aware that source lists and your entire project, including the “P.S.” portion, will be available for reading and copying by all Journalism School library visitors. If you have confidentiality concerns about sources (i.e. names, phone numbers, personal addresses, etc.), you are responsible for removing the source list from the copy submitted to the Dean of Students Office for the library.

Post Script: At the end of your project, include a first-person narrative describing how you discovered, researched and reported your story. This will help future students see what goes into the making of a successful master’s project. This “P.S.” should be included with all copies of your project after the source list, and should run no longer than 1,000 words. Remember that this post script will be available along with your project in the library.

 

Hybrid/Video Project Instructions

One copy of your print piece per the instructions above for print projects. Please e-mail one final copy of your project to your adviser. Ask your adviser if he or she also wants a hard copy. Include a Post Script and Source List as described above.

One DVD of the video portion of your project. Provide a second DVD directly to your adviser. Label all your DVDs and accompanying materials with complete project information (author(s), title, adviser).

 

Hybrid/Photo Project Instructions

One copy of your print piece per the instructions above for print projects. Please e-mail one final copy of your project to your adviser. Ask your adviser if he or she also wants a hard copy. Include a Post Script and Source List as described above.

One DVD of either your audio slideshow or jpgs. If your project includes both, please submit a separate DVD for each presentation.

Provide a second DVD (s) directly to your adviser. Label all your DVDs and accompanying materials with complete project information (author(s), title, adviser).

 

Audio/Print Hybrid Instructions

One copy of your print piece per the instructions above for print projects. Please e-mail one final copy of your project to your adviser. Ask your adviser if he or she also wants a hard copy. Include a Post Script and Source List as described above.

One copy of your project on audio CD for Dean of Students Office, and a second for your adviser. In addition, provide your adviser a copy of the .wav file (i.e. the final mix “bounce,” on a data CD).

Label all your CDs, tapes and accompanying materials with complete project information (author(s), title, adviser). Indicate whether CDs are data or audio.

 

Audio Project Instructions

One copy of your script for the Dean of Students Office, email a second to the adviser, plus a hard copy to the adviser if he/she requests it. Include a Post Script and Source List as described above.

One copy of your project on audio CD for Dean of Students Office, and a second for your adviser. In addition, provide your adviser a copy of the .wav file (i.e. the final mix “bounce,” on a data CD).

Label all your CDs, tapes and accompanying materials with complete project information (author(s), title, adviser). Indicate whether CDs are data or audio.

 

Your Copy

Keep a copy of your project for yourself. Neither the Journalism School nor the Journalism Library is able to provide on-demand copies of your work.

 

Congratulations!